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Episode | Date |
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The writer of The Whale makes a case for the existence of God
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Mar 25, 2024 |
Wherefore, Shakespeare? 01 | Comedy
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Mar 24, 2024 |
Why Miriam Margolyes courts controversy — 'I know what I'm doing'
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Mar 18, 2024 |
Andrew Scott's one-man Uncle Vanya
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Mar 11, 2024 |
Extreme action, dreaming stories and theatrical theft in Adelaide
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Mar 04, 2024 |
Need help getting opera singers to soar? Add puppets
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Feb 26, 2024 |
Sam Mendes's five precepts for The Lehman Trilogy still inspire Es Devlin
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Feb 19, 2024 |
At the Perth Festival, stories from home inspire new work
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Feb 12, 2024 |
Griffin marks the end of an era with a Louis Nowra triple bill
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Feb 05, 2024 |
'We have to learn to listen again' — Akram Khan's reimagined Jungle Book
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Jan 29, 2024 |
Why Groundhog Day's Australian debut is healing for Tim Minchin
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Jan 22, 2024 |
Sunday — The woman who shaped Australian art
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Jan 15, 2024 |
Joanna Murray-Smith — a playwright in demand
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Jan 08, 2024 |
The Tina Turner story on stage
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Jan 01, 2024 |
Theatre healed Heather Mitchell
|
Dec 25, 2023 |
How Eddie Perfect and Gillian Cosgriff make musical theatre
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Dec 18, 2023 |
If your show needs a lift, 'Send for Nellie!'
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Dec 11, 2023 |
The Warumpi Band story comes to the Sydney Festival
|
Dec 04, 2023 |
A Ring Cycle for our part of the world
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Nov 27, 2023 |
A Game of Thrones villain finds redemption in A Christmas Carol
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Nov 20, 2023 |
From a caravan in WA to the mainstage — The McElhinneys venture out
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Nov 13, 2023 |
Stephen Sondheim — taking a razor to conventions (Part II)
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Nov 06, 2023 |
Stephen Sondheim — taking a razor to conventions (Part I)
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Oct 30, 2023 |
How Chicago became a hit musical — 'We wrote fast and tore up fast'
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Oct 23, 2023 |
Bridal laments and vanishing vultures inspire new work at OzAsia
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Oct 16, 2023 |
Hamilton maestro reworks the music of Sting
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Oct 09, 2023 |
Taylor Mac's queer rock opera adds to 'the library of the deviant theme'
|
Oct 02, 2023 |
When asked to adapt a classic, Nakkiah Lui chose Showgirls
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Sep 26, 2023 |
Broome's complex history and culture inspire an award winner
|
Sep 19, 2023 |
How the stage needs to change
|
Sep 12, 2023 |
Kate Miller-Heidke's new musical, and Wicked returns
|
Sep 05, 2023 |
Bangarra Dance Theatre enters a new era
|
Aug 29, 2023 |
'I didn't know any better' — How David Lang redefined opera
|
Aug 22, 2023 |
Is there something wrong with Debra Oswald?
|
Aug 15, 2023 |
Helen Morse never sought the spotlight
|
Aug 08, 2023 |
After 10 years, Anthony LaPaglia returns to the stage
|
Aug 01, 2023 |
The radical innovations of Caryl Churchill
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Jul 25, 2023 |
A high-camp provocateur treads unfamiliar territory: real life
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Jul 18, 2023 |
Michelle Law's latest play contests Chinese values
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Jul 11, 2023 |
Wesley Enoch honours the elders of First Nations performing arts
|
Jul 04, 2023 |
In his 90th year, Michael Frayn's plays still make noise
|
Jun 27, 2023 |
Once Upon a Mattress composer Mary Rodgers was anything but shy
|
Jun 20, 2023 |
Andrew Bovell comes home
|
Jun 13, 2023 |
Eddie Perfect and Gillian Cosgriff show us how to make a musical
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Jun 06, 2023 |
'It's been a slog' — Jacky debuts at the Melbourne Theatre Company
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May 30, 2023 |
Is the stage the right place to talk about climate change?
|
May 23, 2023 |
Why Tina Turner was 'adamant' that the violence of her past be put on stage
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May 16, 2023 |
A 114-year-old Australian novel in Chinese becomes a play for today
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May 09, 2023 |
'It was such a balm' — How theatre healed Heather Mitchell
|
May 02, 2023 |
Lano and Woodley set sail in search of Moby Dick
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Apr 25, 2023 |
A Pulitzer winner serves social justice and sandwiches in Clyde's
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Apr 18, 2023 |
A satirical One Woman Show skewers the Fleabag generation
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Apr 11, 2023 |
Nureyev's Don Quixote recreated on stage
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Apr 04, 2023 |
Why dance in a museum?
|
Mar 27, 2023 |
After 50 years at La Mama, a legend passes the torch
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Mar 20, 2023 |
The book that brought us Macbeth
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Mar 13, 2023 |
Verdi's Messa da Requiem pulses with life in Adelaide
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Mar 06, 2023 |
A Little Life on stage — Ivo van Hove adapts the 'cruel' bestseller
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Feb 27, 2023 |
'Cabaret is the original punk' — Reuben Kaye at WorldPride
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Feb 20, 2023 |
New works take flight at a cosmic Perth Festival
|
Feb 13, 2023 |
Tim Minchin takes comedy seriously
|
Feb 06, 2023 |
The woman who shaped modern Australian art
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Jan 30, 2023 |
'The future is Blak' — How fatherhood changed Bangarra's head designer
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Jan 23, 2023 |
Dorian Gray's visionary director revitalises another classic
|
Jan 16, 2023 |
An Australian play on Broadway
|
Jan 09, 2023 |
'It was time they had a blackfella at the top' — A new era for ADT
|
Jan 02, 2023 |
90 years of performing arts on your ABC
|
Dec 26, 2022 |
Finding true love at the barre
|
Dec 19, 2022 |
Michael Sheen returns to Amadeus as a different man
|
Dec 12, 2022 |
'Sharing a mad moment together' — Chaplin's grandson's ode to theatre
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Dec 05, 2022 |
The forgotten ballets of Australia
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Nov 28, 2022 |
Andrew Lloyd Webber's go-to director
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Nov 21, 2022 |
Sandi Toksvig has reasons to be cheerful
|
Nov 14, 2022 |
'We are here, we belong' — Uniting communities through the arts
|
Nov 07, 2022 |
Matilda and A Christmas Carol director keeps The Old Vic young
|
Oct 31, 2022 |
A manifesto for dance of a different kind
|
Oct 24, 2022 |
From chook farmer to change maker
|
Oct 17, 2022 |
A comedian's debut play inspired by the on-field drama of footy
|
Oct 10, 2022 |
Finding true love at the barre
|
Oct 03, 2022 |
Les Misérables and Miss Saigon creators take centre stage
|
Sep 27, 2022 |
Remembering Uncle Jack Charles
|
Sep 20, 2022 |
Straight lines and stillness — New work from two theatre giants
|
Sep 13, 2022 |
New plays light up the Brisbane Festival
|
Sep 06, 2022 |
Brett Dean's Hamlet triumphs at The Met
|
Aug 30, 2022 |
Dorian Gray's visionary director revitalises another classic
|
Aug 23, 2022 |
Hairspray brings back a Broadway legend
|
Aug 16, 2022 |
Being an opera singer saved her life
|
Aug 09, 2022 |
Diablo Cody found her dream collaborator in Alanis Morissette
|
Aug 02, 2022 |
Catherine McClements is looking for a challenge
|
Jul 26, 2022 |
First London, next Broadway — An Australian playwright on the rise
|
Jul 19, 2022 |
'It became very woke' — An Asian Australian director embraces 'elder' status
|
Jul 12, 2022 |
'It was time they had a blackfella at the top' — A new era for ADT
|
Jul 05, 2022 |
90 years of performing arts on your ABC
|
Jun 28, 2022 |
The Tony-winning creator of Broadway's 'big, black and queer' Best Musical
|
Jun 21, 2022 |
Tina Arena on the intimacy and vulnerability of cabaret
|
Jun 14, 2022 |
At RISING, the arts take the chill off winter
|
Jun 07, 2022 |
Lea Salonga — a trailblazing star of the stage
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May 31, 2022 |
Mr Producer — How Cameron Mackintosh rebuilt an industry
|
May 24, 2022 |
Truth-telling in the theatre — Why Andrea James ditched law for the arts
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May 17, 2022 |
Theatre icon Geraldine Turner reveals her off-stage struggles
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May 10, 2022 |
'Wagner belongs to humanity's treasure' — Confronting a contentious classic
|
May 03, 2022 |
Big plays in a tiny room — Red Stitch turns 21
|
Apr 26, 2022 |
Power and ethics in playwriting
|
Apr 19, 2022 |
Imagination will help young people 'sort out the mess' left by grown-ups
|
Apr 12, 2022 |
Blind and vision-impaired artists rewrite Tchaikovsky's final opera
|
Apr 05, 2022 |
Lano and Woodley set sail in search of Moby Dick
|
Mar 28, 2022 |
An Englishman in New York takes on An American in Paris
|
Mar 21, 2022 |
A reimagined Yentl and a play about race and privilege in education hit home for director
|
Mar 14, 2022 |
GoPros, spray bottles and a fake language — Making theatre with The Last Great Hunt
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Mar 07, 2022 |
A gay hate crime that became a watershed moment for reform revisited in song
|
Feb 28, 2022 |
Girl from the North Country — How 'pure ignorance' of musical theatre led to a hit
|
Feb 21, 2022 |
'We're making space for ourselves' — How Zindzi Okenyo is changing theatre
|
Feb 14, 2022 |
Youth in trouble — Chunky Move's dance for the end of days
|
Feb 07, 2022 |
Six the Musical's journey from student theatre to worldwide smash
|
Jan 31, 2022 |
A Palawa playwright on 'the biggest issue' his people are fighting today
|
Jan 24, 2022 |
David McAllister and Wesley Enoch start a new chapter
|
Jan 17, 2022 |
Tom Stoppard's life examined
|
Jan 10, 2022 |
David Williamson shares some home truths
|
Jan 03, 2022 |
'Who's afraid of the truth?' — An Indigenous director tackles an American classic
|
Dec 27, 2021 |
The room where Hamilton happened
|
Dec 20, 2021 |
From the ashes — the lessons a reborn La Mama can share with Australia
|
Dec 13, 2021 |
Elaine Crombie will calm you down before she punches you in the guts
|
Dec 06, 2021 |
Diablo Cody found her dream collaborator in Alanis Morissette
|
Nov 29, 2021 |
'Artists with disability should be treated like any other' — 30 years of Restless Dance
|
Nov 22, 2021 |
Dear Evan Hansen creator revives the show that came before Rent
|
Nov 15, 2021 |
'An accident of the theatre' brought Sondheim back to Broadway
|
Nov 08, 2021 |
How one of Australia's top directors discovered the power of telling our stories
|
Nov 01, 2021 |
Why the writer of The Vagina Monologues now has climate change in her sights
|
Oct 25, 2021 |
The accountant who became an opera star
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Oct 18, 2021 |
What regional Australia offers artists and audiences
|
Oct 11, 2021 |
David Williamson shares some home truths
|
Oct 04, 2021 |
Animal Farm in the age of Trump
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Sep 28, 2021 |
Audra McDonald and Tony Sheldon's Broadway
|
Sep 21, 2021 |
'Fragility is okay, limits are okay' — Why the way we make art should change
|
Sep 14, 2021 |
'Who's afraid of the truth?' — An Indigenous director tackles an American classic
|
Sep 07, 2021 |
Spectacular, spectacular! The music of Moulin Rouge
|
Aug 31, 2021 |
Juliet Stevenson is drawn to danger
|
Aug 24, 2021 |
Theatre dorks Zoë Coombs Marr and Anne-Louise Sarks get serious
|
Aug 17, 2021 |
Why Hugo Weaving and Paula Arundell act
|
Aug 10, 2021 |
Kate Champion and Paula Arundell — finding family and fantasy on stage
|
Aug 03, 2021 |
Neil Armfield and Kate Champion — dancing into a perfect partnership
|
Jul 27, 2021 |
Mark Howett and Neil Armfield reach out to a new generation
|
Jul 20, 2021 |
Kylie Bracknell and Mark Howett — Leading lights of the West
|
Jul 13, 2021 |
Wesley Enoch and Kylie Bracknell on language, culture and connection
|
Jul 06, 2021 |
David McAllister and Wesley Enoch start a new chapter
|
Jun 29, 2021 |
Tom Stoppard's life examined
|
Jun 22, 2021 |
Eddie Perfect turns introspective
|
Jun 15, 2021 |
For playwright Jen Silverman, theatre became the answer to any question
|
Jun 08, 2021 |
Alan Cumming is not acting his age
|
Jun 01, 2021 |
Deborah Cheetham opera heralds a new dawn
|
May 25, 2021 |
How a dancer overcame a spinal injury to shine on the international stage
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May 18, 2021 |
'I had a lot of rage' — David Ireland tries to make sense of trauma with art
|
May 11, 2021 |
'Bill, that's a pirouette' — William Forsythe's unconventional rise to the top
|
May 04, 2021 |
Mark Ravenhill wants you to argue over his plays
|
Apr 27, 2021 |
Joanna Murray-Smith wrestles with hedonism and history in Berlin
|
Apr 20, 2021 |
Mark Trevorrow on life as the Prince of Polyester, Bob Downe
|
Apr 13, 2021 |
'It took me to some very dark places' — The tour that broke Daniel Sloss
|
Apr 06, 2021 |
'We need to be valued' — Changing how First Nations work is made and seen
|
Mar 29, 2021 |
A comedian with a turbulent past finds his voice in the footlights
|
Mar 22, 2021 |
The room where Hamilton happened
|
Mar 15, 2021 |
John Bell and Shakespeare
|
Mar 08, 2021 |
Meyne Wyatt's star, and eyebrow, rises
|
Mar 01, 2021 |
Patricia Cornelius and Susie Dee make theatre for runts
|
Feb 22, 2021 |
'This is a warning play' — The role Robyn Nevin had to take on
|
Feb 15, 2021 |
Eddie Perfect — from Brunswick to Broadway and back again
|
Feb 08, 2021 |
How a first-timer wrote Fangirls — 'I learned everything I know off YouTube'
|
Feb 01, 2021 |
Wesley Enoch doesn't want to be the only Indigenous artist in the room
|
Jan 25, 2021 |
Li Cunxin — dancing through the darkness
|
Jan 18, 2021 |
Hugo Weaving and Wayne Blair — the extended interview
|
Jan 11, 2021 |
A hit Australian musical revived and the Noongar language in the spotlight
|
Jan 04, 2021 |
Stephen Sondheim — taking a razor to conventions (Part II)
|
Dec 28, 2020 |
Stephen Sondheim — taking a razor to conventions (Part I)
|
Dec 21, 2020 |
Where to from here?
|
Dec 14, 2020 |
Pamela Rabe's path from the Yukon wilds to Helpmann glory
|
Dec 07, 2020 |
Band of outsiders — a new take on Oklahoma!
|
Nov 30, 2020 |
'It was not proper for a boy to do ballet' — David McAllister's struggle to the top
|
Nov 23, 2020 |
Nancye Hayes — fearless in the footlights
|
Nov 16, 2020 |
The deep roots and spreading branches of Indigenous performance
|
Nov 09, 2020 |
Why democracy needs theatre
|
Nov 02, 2020 |
The story thief
|
Oct 26, 2020 |
How OzAsia's director went from chook farmer to change maker
|
Oct 19, 2020 |
'I didn't know any better' — how David Lang redefined opera
|
Oct 12, 2020 |
Hugo Weaving and Wayne Blair side by side on stage
|
Oct 05, 2020 |
Opening doors — why this director wants her debut to mean more
|
Sep 29, 2020 |
The theatrical making of Malcolm Turnbull
|
Sep 22, 2020 |
'The stage was my lifeline' — how the arts emboldens young people
|
Sep 15, 2020 |
The man who lives with Shakespeare
|
Sep 08, 2020 |
Animal Farm in the age of Trump
|
Sep 01, 2020 |
Do the critics make or break a Broadway show?
|
Aug 25, 2020 |
A 'border boy' breaks the boundaries of dance
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Aug 18, 2020 |
The suburban dreaming behind Sydney's Belvoir St Theatre
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Aug 11, 2020 |
Dr Jekyll and Mr Wildhorn
|
Aug 04, 2020 |
The unusual choreography of dancer Shelley Lasica
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Jul 28, 2020 |
How Yaron Lifschitz transformed an edgy circus troupe into a major company
|
Jul 21, 2020 |
Of kings and divas: Shakespearean drama for our times
|
Jul 14, 2020 |
Taking on an iconic Australian horror — solo on stage
|
Jul 07, 2020 |
The ground on which black theatre companies stand
|
Jun 30, 2020 |
Why Tim Minchin's debut album took twenty years to make
|
Jun 23, 2020 |
'This is not right and we are going to make things different' — Emma Matthews helps young singers find their voice
|
Jun 16, 2020 |
David Henry Hwang renders America's racial tensions as a musical fever dream
|
Jun 09, 2020 |
Stephen Page and Hunter Page-Lochard 'draw the energy from the earth'
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Jun 02, 2020 |
Crisis and catharsis — Benedict Andrews' dizzying Streetcar Named Desire
|
May 26, 2020 |
Kate Mulvany learns to love the villain
|
May 19, 2020 |
Li Cunxin — dancing through the darkness
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May 12, 2020 |
From Kanchanaburi to the Royal Court — Anchuli Felicia King takes on the world
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May 05, 2020 |
Rufus Norris is revolutionising what we see on the mainstage, and how we see it
|
Apr 28, 2020 |
'All of us in the arts are primed to take on a pandemic'
|
Apr 21, 2020 |
Jeanine Tesori dissects her hit Broadway musicals
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Apr 14, 2020 |
Zoë Coombs Marr leaves Dave behind
|
Apr 07, 2020 |
Stephen Sondheim — taking a razor to conventions (Part II)
|
Mar 30, 2020 |
Stephen Sondheim — taking a razor to conventions (Part I)
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Mar 23, 2020 |
Ben Elton's career kicked off in a Britain at war with itself
|
Mar 16, 2020 |
Opera as an antidote for loneliness
|
Mar 09, 2020 |
Juliet Stevenson — drawn to danger
|
Mar 02, 2020 |
Conchita Wurst and Trevor Ashley — the grand dames of drag
|
Feb 24, 2020 |
Michael Keegan-Dolan evokes a god of the dance
|
Feb 17, 2020 |
A hit Australian musical revived and the Noongar language in the spotlight
|
Feb 10, 2020 |
The play that changed theatre
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Feb 03, 2020 |
Phelim McDermott's journey from Philip Glass superfan to creative partner
|
Jan 27, 2020 |
David Williamson prepares to exit stage left
|
Jan 20, 2020 |
Cloudstreet returns to the stage and Sondheim's musical reinventions
|
Jan 13, 2020 |
Anthem reunites our biggest playwrights and Hofesh Shechter's Grand Finale
|
Jan 06, 2020 |
The Stage Show live — at the glamorous Adelaide Cabaret Festival
|
Dec 30, 2019 |
Harry Potter's Wizarding World on stage and Hair, 50 years on
|
Dec 23, 2019 |
Our enduring fascination with Carmen and 9/11 inspires a musical of hope
|
Dec 16, 2019 |
The story of our First Nations first 11 and a celebration of the season
|
Dec 09, 2019 |
Black Ties unites cultures across the Tasman and our critics' picks
|
Dec 02, 2019 |
Faust and Don Pasquale give us more than we bargained for
|
Nov 25, 2019 |
A classic film becomes a radio play and the Women's Circus marches on
|
Nov 18, 2019 |
Lea Salonga — a trailblazing star of the stage
|
Nov 11, 2019 |
A century of Australian musical theatre and Louis Nowra's new drama
|
Nov 04, 2019 |
Starstruck becomes a stage musical and Kathy Lette hosts a girls' night out
|
Oct 28, 2019 |
Bonus — Dr Jekyll and Mr Wildhorn
|
Oct 22, 2019 |
Circa takes us to the underworld with Orpheus and Eurydice
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Oct 21, 2019 |
Light shone on a famous Australian at OzAsia and opera comes to the Yarra Valley
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Oct 14, 2019 |
Fangirls seize the spotlight and Palestinian performers aim for the stars
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Oct 07, 2019 |
Discovering lost operas and Leith McPherson on the power of voice
|
Oct 01, 2019 |
Anthem reunites our biggest playwrights and new work from Back to Back
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Sep 24, 2019 |
Hofesh Shechter's Grand Finale and Brisbane Festival opens conversations
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Sep 17, 2019 |
The world's a stage at Melbourne Fringe and Helena Dix breaks down Casta Diva
|
Sep 10, 2019 |
Tony Kushner's Caroline, or Change and Shakespeare's bloodiest play
|
Sep 03, 2019 |
Jerome Robbins' life in dance and putting The Crucible on trial
|
Aug 27, 2019 |
30 years of Bangarra and attracting younger people to theatre
|
Aug 20, 2019 |
Making art in the Top End and Sondheim's Sunday in the Park
|
Aug 13, 2019 |
Bonus — Remembering Hal Prince
|
Aug 06, 2019 |
Health and wellbeing in the performing arts
|
Aug 06, 2019 |
Hair, the counterculture musical, 50 years on
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Jul 30, 2019 |