Mark And Sarah Talk About Songs

"Blurred Lines," the sound of the summer of 2013, is compared (unfavorably) with a cold sore in today's episode, which pits Robin Thicke, TI, and Pharrell against Weird Al's screed against bad grammar and usage errors. Despairing of Shazam, continuing to die on the hill of "irregardless," and the tyranny of younger siblings over the #oldladywalk playlist...we're

Thirty years after the death of frontman Kurt Cobain, Nirvana and their music still feel very close. Does that have anything to do with Weird Al's equally "defining" parody, a track that let Al "sell out" again after the disastrous UHF experience...with a band at the bleeding edge of the sell-out conversation? The shroud of tragedy, the performance of self, rebe

It's an all-time training-montage banger vs. Weird Al's vision for Rocky XIII in today's episode, as we drop Wiki factoids, contemplate an all-depressing-follow-up-hits season, digress at length on Live's legal battles, and wonder when in Reagan's presidency the Me Decade became sentient. Greetings from the Sly Stallone industrial complex; get that sammich to go and listen to an al

You can't always control what people do with your art once it's out in the world -- something Mark Knopfler of Dire Straits may have learned the hard way with both the original "Money For Nothing" AND Weird Al's re-imagining of the song via a dream sequence in UHF. Essential references versus essential songs, 20th-century TV's preoccupation with yokels, and resting Don He

It's that Airbnb pasta-taxonomy poster in pop-song form: "Lasagna," Weird Al's take on Los Lobos's take on Ritchie Valens's take on the Mexican folk song Sarah and her classmates dutifully droned during first-period Spanish. Before we cast our votes (and yours!), we talk about the restaurant from Big, Samuel Taylor Coleridge, Dr. Melfi's ex-husband, Sophia Petrillo, forge

Late-sixties melodrama meets early-nineties blockbuster in today's episode, as we contemplate who left the Barney cake out in the rain while comparing Richard Harris's "MacArthur Park" and Weird Al's "Jurassic Park." Claymation, foiled cantatae, The Odyssey, Godspell, and songs for when the coffee's kickin' in, plus the YouTube-comments bingo card and an "u

The unique legacy of Tommy James and the Shondells adds another chapter today, as Weird Al contends with Tiffany's smash cover of "I Think We're Alone Now." We're discussing Jersey-girl aspirational fashion, budge sound that's a feature and not a bug, and that person you could know becoming that person everyone does know. Take a break from sewing patches on your jean jack

Can Weird Al inch ahead in the season standings with "I Lost On Jeopardy," his parody of the Greg Kihn Band's "Jeopardy"? We're talking early adopters, terrible album-title puns we admire, second careers, cheap-but-creepy videos, and how MB's personal Jeopardy! journey deepens his appreciation of this Yankovic joint. Tell 'em what they've won, Don Pardo! (It's e

This week's match-up pits The Presidents of the United States of America's "Lump" against Weird Al's "Gump"...but is it really a face-off if the original is two thirds of the way towards being the parody? What is the age of Al-wakening? What's the difference between "unserious" and "unpretentious"? Are butt-adjacent references the Yankovic eq

"What if we just........didn't." That's one of the questions confronting us as WE confront an out-of-character entry in the Weird Al songbook: "Fat." The problems don't start there; there's the cheap-sounding and turgidly self-serious original, "Bad"; by problematic artist Michael Jackson; the risible video by MJ, and the shortcutsy cruelty from WA...t