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Ways of Knowing
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Content provided by World According to Sound and The World According to Sound. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by World According to Sound and The World According to Sound or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
New ways of thinking about the world, brought to you by the humanities and The World According to Sound. We’re working with universities to translate academic research into sound. Each season has a radically different format and topic. You’ll never hear the same kind of thing twice. We’re independent and ad free. Patreon is the best way to support our work. https://www.patreon.com/theworldaccordingtosound
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183 episodes
Mark all (un)played …
Manage series 89889
Content provided by World According to Sound and The World According to Sound. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by World According to Sound and The World According to Sound or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
New ways of thinking about the world, brought to you by the humanities and The World According to Sound. We’re working with universities to translate academic research into sound. Each season has a radically different format and topic. You’ll never hear the same kind of thing twice. We’re independent and ad free. Patreon is the best way to support our work. https://www.patreon.com/theworldaccordingtosound
…
continue reading
183 episodes
All episodes
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Ways of Knowing


Text written with a typewriter is not the same as text written by hand, composed on a computer, sent in a text message, or generated by artificial intelligence. Like all media, the typewriter does not just transmit what a person wants to write. It is its own particular medium. In the 20th century, it changed the way writers write and the way people read—profoundly altering warfare, commerce, literature, and, perhaps most dramatically, gender relations. Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.…
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Ways of Knowing


While extensions are masculine coded and deal with tools that extend what human beings already do, containers offer a different and more feminine concept of media: something that selects, stores, and processes information. Containers primarily allow for preservation, but this goes far beyond things like food, water, or other materials. They also determine cultural and intellectual production. For a primer on how to think about the way objects around us select, store, and process information, we’re going to consider one of America’s most iconic objects of containment: Tupperware. Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming. Guests in this episode include professors Brooke Erin Duffy and Jeremy Packer.…
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Ways of Knowing


Writing is an extension of our voice, cars of our legs, guns of our fists, telephones of our ears, televisions of our eyes…Marshall McLuhan considered all media to be technology that extended the human body. The arrival of a medium like writing can completely reorder social relations because it has the power to “shape and control the scale and form of human association and action.” McLuhan’s idea of extensions is arguably the beginning of modern media theory, but it is not without its limitations. Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming. Guests in this episode include professors Anna Shechtman, Andrew Campana, Jeremy Braddock, and Erik Born.…
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Ways of Knowing


While the U.S. Constitution is constantly invoked to justify how the country should be governed, it actually provides very few specifics on how that should be done. Instead, the designed ambiguities of the document require the imaginative powers of its citizenry to interpret it and decide which laws should be implemented and how they should be enforced. Episode guest is George Thomas, professor of American Political Institutions at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.…
Given the option to plug into a world totally free from conflict and struggle, most would choose to remain in their current reality. A true utopia would be too boring, stifling—with no problems to solve, there would be no outlet for creativity, for the imagination. Episode guest is John Farrell, professor of literature at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.…
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If a person spends their entire life seeing only in black and white, is it possible for them to truly know what it would be like to experience color? Philosophers have debated this for decades, but one thing they have often overlooked is the power of the imagination. It is a skill, and like any other skill it can be honed, perhaps enough to allow one to achieve deep knowledge of an experience they’ve never had. Episode guest is Amy Kind, professor of philosophy at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.…
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Ways of Knowing


Media are increasingly monopolizing attention: Your mind is prevented from wandering, from generating thoughts, having associations, coming up with ideas. Over time, this dulls the creative faculties and weakens the power of imagination, which is essential for the creation of art…as well as for a clear perception of reality. Episode guest is Radhika Koul, professor of literature at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.…
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Ways of Knowing


There's a lot to hear in outer space if you change the way you listen.
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Ways of Knowing


The story of how gravitational waves were finally discovered and how we are making sense of them.
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Ways of Knowing


Some of the most iconic images we have of the universe closely resemble 19th-century landscape paintings of the American West. A big part of the reason has to do with how scientists interpreted visual data from telescopes like Hubble.
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Ways of Knowing


With the telescopes of the 20th century, astronomers began to see a universe that just so happened to resemble the cosmos as described by a 13th century Italian poet…Dante Alighieri.
An observational error in the 19th century leads to a belief that there is an advanced alien civilization on Mars...which leads to a boom in astronomy investment, research, and actual discoveries, including the first sighting of Pluto.
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Ways of Knowing


"Somnium" is considered one of the first pieces of science fiction. The short story, written in 1608, recounts a trip up to the moon. There are magical beings, aliens, drugs, and a perspective of the stars that would fundamentally change how people understood the solar system.
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Ways of Knowing


Near the end of the 11th century CE, there was a crisis in China’s Song Dynasty. The imperial calendars were filled with errors. To fix them, the imperial court would have to reform one of the most essential institutions in the empire: The Bureau of Astronomy.
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Ways of Knowing


In the 9th century CE, Mayan astronomers were able to calculate the period of Venus down to the minute. They were only able to achieve this unrivaled accuracy because they had developed one of the most important mathematical concepts in human history, the zero.
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